‘Shelley is revolutionary in the true sense.’ Explain with examples of his poems. Percy Bysshe Shelley (1792-1822) was a radical thinker from an aristocratic background, much like Lord Byron. However, while Byron enjoyed society’s approval before his exile, Shelley was more of an outsider from a young age. At school in Eton, he was already seen as a revolutionary thinker. Shelley believed in ideas like vegetarianism, pacifism, and free love, rejecting the institution of marriage because he thought it oppressed women. Interestingly, his father-in-law, William Godwin, shared similar views. Both Shelley and Godwin believed that human beings were capable of becoming perfect through reason. Shelley was expelled from Oxford for his challenge to religious authority, specifically for questioning the existence of God. He also became known for his personal life, as he eloped with two different teenage girls in two years. The second was Mary, the daughter of Godwin and Mary Wollstonecraft, w...
1)The term "metaphysical" generally refers to ideas that go beyond the physical world and explore deep, abstract, or philosophical concepts, especially related to existence, time, love, and spirituality. In literature, "metaphysical poetry" is a style associated with 17th-century poets like John Donne and Andrew Marvell. These poets used clever, complex language, unusual comparisons (called "conceits"), and a focus on themes like love, death, and the mysteries of life. In Andrew Marvell's To His Coy Mistress, several aspects can be considered "metaphysical." First, the poem contemplates time and its limitations. Marvell's speaker reflects on how fleeting time is and urges his lover to seize the moment because life is short. This is a classic metaphysical theme—the awareness of mortality and the desire to live fully in the present. Another metaphysical element in the poem is Marvell’s use of wit and intellectual comparisons. For example, ...
Blog is Given by Barad Sir. Teacher's Research gate link: click here Anthropocene: A Cinematic Mirror for Eco-Critical and Postcolonial Reflection The documentary film Anthropocene: The Human Epoch, directed by Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky, transcends conventional environmental cinema through its visionary visual language and philosophical depth. According to Prof. Dilip Barad, who prepared a pedagogical reading for eco-critical and postcolonial literatures, the film functions more than an informational piece—it is a “profound visual and philosophical experience,” a cinematic mirror reflecting humanity’s geological footprint and ethical responsibility . Visualizing Human Dominion The film centers on the idea of the Anthropocene—a proposed new geological epoch defined by human-driven transformations of Earth’s systems, from industrialization to habitat destruction. Eschewing didactic narration or expert interviews, the filmmakers instead ...
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