Indian Poetics.

 Blog is given by Dilip sir.

16/01/'25

Estheticism 

Benedetto Croce was an Italian idealist, philosopher, historian, and aesthetics. 

BharatMuni's NatyaShashtra

School of Rasa- Bharatmuni 

School of Dhwani- Aanandvardhan

school of Vakrotti- Kuntak 

school of Alankar- Bhamah 

Riti- Vaman 

Auchitya- Kshemendra

Ramaniyata- Jagnnath 

- These all-basic theories were introduced. 

-In school of Rasa Indian Critics are most famous for their theories.

-Before the centuries Wordsworth and Coleridge's theories were also covered for the good literature.

- Emotions are natural. Each and every human has their own emotions. 

- Firstly, human feels emotion inside and according to the situation it is expressed in proper way.

-In Natyashastra Adhyay 6, there is mentioned school of Rasa.

સ્થાયી ભાવ

રતિ ભાવ 

અશોક ભાવ 

ઉત્સાહ ભાવ 

ક્રોધ ભાવ 

હાસ ભાવ 

જુગુપ્સા ભાવ

વિસ્મય ભાવ

શમ ભાવ

Poetry is genre and epic poems; Sonnet poems are forms. 

1) Poetry 2) Fiction-novel, micro fiction 3) Drama-Monologue, One Act 4) Essay.

Bhratmuni's grantha is a type of a "Natak".

નાટ્ય નો આસ્વાદ ત્રણ રીતે કરી શકાય છે 

દૃશ્ય ,શ્રાવ્ય અને પાઠ્ય.

100% involvement is necessary to feel and relate with the characters. 

 17/01/'25 Rasa Theory 

काव्येषु नाटकं रम्यं तत्र रम्या शकुन्तला'

भारतीय कवे जयती

तादृष्टी ब्रह्मण्य निर्माण

रस सूत्र: 

विभावानुभावव्यभिचारी संयोगाद रसनिष्पतिः |

 Vibhav:

Vibhava has the meaning of distinct, specific knowledge. Vibhava, karana (cause), nimitta (instrument), hetü (reason) are synonyms.

 Anubhav:

The re-ply: The particular acting rendered through words, physical gestures and sattva is made to be felt (anu-bhävyate) as an after-effect (anu) of the impact of the emotional stimulant.

18/02/'25 RASA

शृंगार रस, हास्य रस, करुण रस, रौद्र रस, वीर रस, भयानक रस, बीभत्स रस, अदभुत रस, शांत रस..नव नाट्ये रसा: स्मृता ।

Major critics of school of rasa

Bhatt Lollat

Shree Sankuk

Bhatt Nayak 

Abhinav Gupt

નાટક એક ચક્ષુક્ષ યજ્ઞ છે.

According to Bhatta Lollata, Rasa is something that produced; it does not exist. One (the spectator) perceives it visually, while the actor and actress bring it forth. This known as Utpattivad.

Chitraturag Nyaya was given by Shanku, according to whom the spectator is more receptive. It is not the actor with whom the connection is made; rather, emotions are awakened. The performance is not completed merely by the presence of the actor and actress on stage.This known as Anumitivad. 

ચાર પ્રતીતિ 

સમ્યક પ્રતીતિ

મિથ્યા પ્રતીતિ 

સંશય પ્રતીતિ 

સાદૃશ્ય પ્રતીતિ

Bhatta Nayaka is important in the entire field of aesthetics. The argument given by BhattaNayaka is known as Bhukti-vaad (the theory of devotion). A connection is established between the spectator, the actor, and the actress, which is why it is called the Theory of Universalization (Sadharanikaran Siddhant). It creates a uniform emotional state.

This is accepted in western esthetics.

Abhinavagupta has proposed the Abhivyanjana Theory. He has provided conclusions for all interpretations (Mimansa).

22/01/'25 Dhawani 

Anandavardhana has stated that Dhvani is like a woman's beauty. Dhvani is the soul of poetry. Just as beauty cannot be explicitly defined, it can only be experienced and appreciated.

That which is implied is relative.

22/01/'25

Dhvanyaloka was written by Anandavardhana. Dhvani emerges from language.

विभातिलावण्यमिवाङ्‌गनासु |

Just as Rasa arises from Bhava, as stated by Bharatamuni, Dhvani arises from language, as stated by Anandavardhana.

અભિધા, લક્ષણા અને વ્યંજનના આ ત્રણ શબ્દશક્તિ છે.

Abhidha, Lakshana, and Vyanjana are the three Shabda Shaktis (powers of words). In Abhidha, the direct meaning is obtained. In Lakshana, the direct meaning is not applicable, so it conveys a secondary meaning. In Vyanjana, the direct meaning is present, but it is not intended to be taken literally.

24/01/'25

વસ્તુ ધ્વનિ

અલંકાર ધ્વનિ

રસધ્વનિ



VAKROKTTI

Beauty and curvature are both connected.

કુંતક - વૈદગ્ધતા...

25/01/'25

शब्दार्थों सहितौ वक्र कचिव्याचारशालिनी । 

बन्धे व्यवस्थितौकाव्यम् तद्विदाह‌लादकारिणी ||

वेदग्ध्यभंगीभणितिन |

વર્ણવિન્યાસ વક્રતા -વાક્ય વક્રતા 

પદ પુરવાર્ધ વક્રતા - પ્રકરણ વક્રતા 

પદ પરાધૅ વક્રતા  - પ્રબંધ વક્રતા

27/01/'25

Alankar 

Bhamaha is the founder of Alankara theory. According to him, Vakrokti is also a type of Alankara. Alankara is a language-based tradition. Guna, Alankara, and Riti are the three poetic styles. Alankara is also considered the soul of poetry—a poem is truly adorned with Alankara. The elements that constitute poetry and its creation are Alankaras, but they are external embellishments.

ઉપમા સાદૃશ્ય 

ઉત્પ્રેક્ષા સંભાવના 

રૂપક અભેદ

There are 92 types of Upama Alankara

28/01/'25

રીતી સંપ્રદાય વામન દ્વારા અપાયેલ છે. 

ઔદિત્ય સંપ્રદાયિક સેમેન્દ્ર દ્વારા અપાયેલ છે .

રમણીયતા એ જગન્નાથ દ્વારા અપાયેલ છે.

દંડી- પદ લાલિત્ય.

મહા કવિ માઘ -શિશુપાલ વધ .

કાલિદાસ એ ઉપમા માટે જાણીતા છે. 

RITI

Riti is a soul of Riti. 

रीतिरात्मा काव्यषु ।

કાલિદાસની વૈદર્ભી શૈલી પ્રચલિત છે.

 પંચાલમાં પંચાલી શૈલી તેમજ ગોડમાં ગૌડી શૈલી પ્રચલિત છે.

Auchitya 

Auchitya

This rule is also Follen by Aristotle in western Literature.

According to Kshemendra, if there is no propriety (Sampramanata), there is no completeness (Akhilata).

આંખનું કાજલ ગાલે ઘસ્યું...

Ramaniyata

In Rasgangadhr Jagannath talked about Ramaniyata. 

रमणियार्थ प्रतिपादक शब्दः काव्यम् ।







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